Muscle man Paul McGinley will
copy Tiger Woods and attack Muirfield with his one iron tomorrow.
The Dubliner feels he can fire
the ball up to 300 yards with the longest iron in the bag after
adding 30 yards to his game in the space of three years.
"I've put the one iron
in and taken out he five wood because the one iron is going to
be a key this week," said McGinley.
"There are a lot of one-iron
tee shots because there are bunkers at 280 yards from the tee
and you might want to stay short of them."
"It makes sense around
here, but obviously a lot will depend on the wind."
McGinley is also happier in
himself after breaking a run of missed cuts with a top 20 place
in Loch Lomond last weekend.
But he is worried that the
extra long rough will force him to leave the driver in the bag.
"The strange thing they
have done with the course is made the longer holes particularly
tight - one, ten and 18 are the three tightest tee shots and
yet they are the three longest par four holes.
"The par threes are great,
probably the best par threes in any championship. You have to
hit four, five or six irons compared to the three-wood or two-iron
par threes we play these days.
"The rough is savage and
if you miss the first cut it's a chip out job.
The wind will also be key this week with regard to club selection."
At the 449 yard 18th, McGinley
hit a one-iron off the tee and a six iron to the green yesterday.
On Monday he hit a driver and a four iron.
Added McGinley: "It's
an old style golf course and the skill level is a major factor.
It's not one of those long courses where you hit it and then
find it and hit it again. This is what make these courses so
great and the skill level is going to be tested and the most
skilful player will win this week."
McGinley has been drawn with
Japan's Toru Taniguchi and American Dudley Hart for the first
two rounds, starting at 8.06 tomorrow.
But he doesn't believe the
early draw will make any difference.
"It's all the same. It
doesn't bother me because everyone is late and early one day or
other."
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© Brian Keogh 2002
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